Prompt Vocabulary
The exact words Aether acts on: parts, sections, meters, Electronic subgenres, Classical forms, each genre's alternate styles and all 43 drum styles.
DocumentationPrompt Vocabulary
Prompting Guide
Prompt Vocabulary
Most of what you write goes to the model as description, and the model makes of it what a musician would. The words on this page are different: Aether acts on them itself before the model sees your message, to pick a genre, a style, a form or a meter. They are listed here so you know which words switch something on. Everything is for the Melodic tab unless it says Drums.
Every word and phrase here counts only as a whole word, so “bassoon” is not “bass” and “make it popular” is not “make it pop”. The usual plurals and other forms of them count too, such as “basslines” and “keeping”.
Parts
| Say | What Aether does |
|---|---|
| "melody only", "just a melody" | Writes the melody alone. |
| "bass only", "just bass", "bassline only" | Writes the bass alone. |
| "chords only", "just chords" | Writes the chords alone. |
| "a bassline", "a topline", "a chord progression" | Writes that part alone, as long as you name no other part. |
| "a funk tune with a slap bass line" | The whole tune. A part named after "with" or "featuring" belongs to the piece; it is not the whole request. |
| "a topline over this chord progression" | The melody alone: the chords are what it sits on. |
| "keep", "leave the", "add ... to the" | Keeps the other parts. A request to change or add to one part never strips the rest. |
On a follow-up, the part-only words above no longer cut a clip down to one part, so asking for a new bassline keeps your chords. To strip a clip to one part, remove the others by name: “remove the chords and the melody”.
Sections and Lengths
Name sections in a fresh request and Aether lays out the form in that order, repeats included. This works while the Sections editor is off; while it is on, the editor's list is used instead. On a follow-up, section names change the section you name, and the clip keeps its form. “Hook” counts as a section only next to other section names, and “drop” only as a noun (“the drop”, “an 8 bar drop”), so in a follow-up “drop the bass” takes the bass out.
| Say | What Aether does |
|---|---|
| A section name | Verse, pre-chorus, chorus, bridge, hook, refrain, intro, outro, interlude, coda, build-up, drop, beat drop, main drop, breakdown, riser, beat switch, vamp, turnaround, comping, ad-lib, passage, theme, exposition, development, recapitulation, variation, montuno, coro, mambo, pregon, or a jazz, guitar, piano, sax, bass or drum solo. Each one you name becomes a section, in the order you name it. |
| "an 8 bar verse" | Sets that section's length, as do "chorus 16 bars" and "chorus (16 bars)". A number without "bars" sets the length of the section it leads into, as in "16 bars: 8 verse, 8 chorus", but a time signature such as "4/4", a list's numbering or a count such as "4 chords" never does. |
| "8 bars each" | Gives every section that length, as do "8 bars per section", "8 bars a section" and "8 bars every section". |
| "4 sections" | Asks for that many sections, from 2 to 16, as a number or a word ("four sections"). "3 parts" works the same way. "two 8-bar sections" or "two sections of 8 bars" also sets each one's length. |
| "a 32 bar song" | Shares that length out across the sections you named, in even numbers of at least 4 bars, as do "32 bars total", "32 bars: verse and chorus" and "make it 32 bars with a verse and chorus". It does not change Bars; set Bars when the length has to be exact. A tempo in the message, such as "90 bpm", is never read as a length, and a shorter count that describes part of the song, as in "32 bars, 8 bars sparse, verse and chorus", leaves the length at 32. |
Contrast
Every piece with more than one section gets some contrast between them. In a fresh request, these words ask for more: “contrasting”, “contrast between”, “dramatically different”, “way bigger”, “dynamic range between” and “make it pop”.
Meter
With Time Sig on 4/4, its default, these words replace it for that request. Any other Time Sig you pick, or Lock to Host, still wins. On the Drums tab, with Time Sig on Auto and Lock to Host off, a meter your message names is used too.
| Say | What Aether does |
|---|---|
| "3/4", "6/8", "12/8" | Writes in the meter you named. "5/4" and "7/8" work too. |
| waltz, minuet | Writes in 3/4, as do mazurka and polonaise. |
Key
Naming a key in your message (“in F# minor”, “key of D”, “Am”) wins over the Key and Scale controls: Aether sets both aside for that request, and on Any key it also stops Aether picking one at random. Give the mode with the key, since Scale is set aside too, and write it in English. “In a minor key” names no key, because the “a” reads as an article; write “in A minor”. Chords spelled out by name (“C F G C”, “Dm7 G7 Cmaj7”) also stop the random pick on Any key, and leave a Key you set as it is, unless they include a minor chord such as “Am”, which names a key as above. Roman numerals such as I-V-vi-IV name no key, so they still get one picked.
Genres
The 16 genres on the Genre menu can be named in a message instead, while the menu is unset: Pop, R&B / Neo-Soul, Jazz, Lo-Fi / Chillhop, Pop Ballad, Cinematic / Film Score, Trap / Hip-Hop, Classical, Blues, Rock / Alt-Rock, Funk / Soul, Gospel, Bossa Nova / Latin, Ambient / New Age, Ragtime / Boogie and Electronic.
Aether weighs everything you wrote. A genre name decides on its own. A subgenre name, such as baroque or deep house, is nearly as strong, and a composer or artist a little less. Descriptive words only nudge, but they add up: “dreamy” and “ethereal” together are enough to land a piece in Ambient / New Age when nothing stronger is named. Genre words are matched whole, so “popular” never counts as Pop and “greenhouse” never counts as House. When one name contains another, the longer one counts: “rhythm and blues” is R&B / Neo-Soul, not Blues. A genre you name beats “ballad”, so “a slow jazz ballad” is Jazz, and “make it pop” or “make the chorus pop” never counts as Pop, while “a pop song” does.
Electronic Subgenres
Electronic covers a lot of ground, so Aether reads your words for a subgenre and writes to that style specifically: its tempo, its groove and its structure. This works whether Electronic came from the menu or from your words. Say nothing in particular and you get house.
| Subgenre | Say | Feel | Tempo |
|---|---|---|---|
| Drum & Bass | drum and bass, dnb, d&b, jungle, neurofunk, liquid dnb | Breakbeat, rolling bassline | 172 to 176 |
| Dubstep | dubstep, riddim, brostep, half-time | Half-time, heavy and spacious | 138 to 142 |
| UK Garage | uk garage, ukg, 2-step, speed garage | Swung, skippy, broken beat | 130 to 135 |
| Trance | trance, uplifting, psytrance | Rolling 16th bass, long breakdown | 136 to 140 |
| Techno | techno, warehouse, detroit, berlin, industrial, peak time | Hypnotic, minimal harmony, no hook | 130 to 140 (industrial 145 to 150) |
| Downtempo | downtempo, trip hop, chillout | Broken beat, unquantized, textural | 90 to 110 |
| Festival | big room, festival, mainstage, edm, hardstyle, future bass | Build and drop, octave-jump lead | 126 to 130 (hardstyle 150 to 155) |
| House | anything else, including house, deep house and tech house | Offbeat stabs, continuous groove, no drop | 120 to 128 |
If you name more than one, the one higher in this table wins, so “dubstep with a trance breakdown” is dubstep.
Classical Forms and Periods
With Classical as the genre, from the menu or from your words, these add a form or a period on top. A piece can have one of each, such as a baroque fugue.
| Kind | Say |
|---|---|
| Dances, in 3/4 | waltz, minuet, mazurka, polonaise |
| Lyric pieces | nocturne, prelude, etude, impromptu |
| Counterpoint | fugue, canon, counterpoint, invention |
| Large forms | sonata, variation, rondo |
| Periods | baroque, classical era, romantic, impressionist |
| Composers | Bach, Handel, Scarlatti, Mozart, Haydn, Chopin, Liszt, Brahms, Debussy, Satie |
A Genre's Other Styles
Five genres carry a second style you can call up by name. Naming it replaces the genre's usual patterns.
| Genre | Say | You get |
|---|---|---|
| Trap / Hip-Hop | boom bap, 90s, old-school | Boom bap, around 80 to 100 BPM |
| Gospel | shout, praise break, up-tempo | A gospel shout |
| Bossa Nova / Latin | son, salsa, mambo, cha-cha, cuban | Cuban styles over a tumbao bass |
| Ambient / New Age | new age, piano, flowing | Flowing new age piano |
| Ragtime / Boogie | ragtime, rag, cakewalk, march | Ragtime, played straight |
| Ragtime / Boogie | stride | Stride piano, swung |
Drum Styles
On the Drums tab, the Groove menu picks one of six families and your words pick the style inside it. With Groove on Auto, your words pick both. A family named with no style words gets its default: Boom Bap, House, Breakbeat, Rock, Afro-Cuban or Pop. With nothing to go on at all, the beat is Rock. When your words match styles in two families, the longer phrase wins. Common spellings work too, such as lofi, boom-bap and rnb.
| Style | Family | Say |
|---|---|---|
| Boom Bap | Hip Hop | boom bap, dusty, sample flip |
| Trap | Hip Hop | trap, hi hat roll, triplet hat, 808s |
| Drill | Hip Hop | drill, sliding 808, uk drill |
| Lo-fi | Hip Hop | lo-fi, chillhop, study beats |
| West Coast | Hip Hop | west coast, g-funk, lowrider |
| Phonk | Hip Hop | phonk, drift phonk, cowbell trap |
| House | Four On The Floor | house, 4x4, four on the floor |
| Deep House | Four On The Floor | deep house, soulful house |
| Tech House | Four On The Floor | tech house |
| Techno | Four On The Floor | techno, industrial techno, warehouse |
| Trance | Four On The Floor | trance, psytrance |
| Big Room | Four On The Floor | big room, festival, mainstage |
| Hardstyle | Four On The Floor | hardstyle, hard dance, gabber |
| Disco | Four On The Floor | disco, nu-disco, boogie |
| Drum & Bass | Breaks | drum and bass, dnb, d&b, liquid dnb, neurofunk |
| Jungle | Breaks | jungle, amen break, ragga |
| UK Garage | Breaks | uk garage, 2-step, speed garage |
| Dubstep | Breaks | dubstep, riddim, brostep |
| Footwork | Breaks | footwork, juke |
| Breakbeat | Breaks | breakbeat, big beat, nu skool |
| Jersey Club | Breaks | jersey club, baile funk, funk carioca, bed squeak |
| Rock | Live Kit | rock, indie rock, arena, alt rock |
| Funk | Live Kit | funk |
| Motown | Live Kit | motown, soul, northern soul |
| Jazz Swing | Live Kit | jazz, swing, bebop, brushes |
| Blues Shuffle | Live Kit | blues, shuffle, 12 bar |
| Punk | Live Kit | punk, hardcore, d-beat |
| Metal | Live Kit | metal, double kick, blast beat, thrash, djent |
| R&B / Neo-Soul | Live Kit | r&b, neo soul, slow jam |
| Reggae | Live Kit | reggae, dancehall, ska, one drop, rocksteady |
| Country | Live Kit | country, train beat, bluegrass, honky tonk |
| Afrobeat | Latin / Afro | afrobeat, highlife |
| Afrobeats | Latin / Afro | afrobeats, afropop |
| Amapiano | Latin / Afro | amapiano, log drum |
| Reggaeton | Latin / Afro | reggaeton, dembow, perreo |
| Samba | Latin / Afro | samba, batucada, surdo |
| Bossa Nova | Latin / Afro | bossa nova, bossa, baiao |
| Afro-Cuban | Latin / Afro | afro-cuban, clave, songo, mambo, rumba |
| Pop | Pop / Electronic | pop, top 40, chart |
| Alt-Pop | Pop / Electronic | alt pop, bedroom pop, chill pop, soft pop |
| Synthwave | Pop / Electronic | synthwave, retrowave, outrun, vaporwave |
| Downtempo | Pop / Electronic | downtempo, trip hop, chillout, ambient |
| Gospel | Pop / Electronic | gospel, praise, worship |
Swing Words
On the Drums tab, swing is a control rather than a prompt. These words move the Swing slider, behind the Processed ⚙ button on the transport bar, rather than being written into the notes. Styles that are swung by nature write their own triplet feel and leave the slider alone.
| Swing slider | Say |
|---|---|
| Off | "keep it straight", "dead straight", "no swing", "no shuffle", "unswung" |
| About a quarter | "a touch of swing", "slight swing", "slightly swung", "a little bounce" |
| Just over half | "swung", "swing it", "shuffle it", "shuffled", "bounce" |
| Nearly all the way | "heavily swung", "hard swing", "maximum shuffle", "triplet feel" |
Removing a Part
In a follow-up, a removal word together with a part's name takes that part out and keeps it out: remove, delete, drop, get rid of, strip out, replace or without, followed by the part's job (the bass, the chords, the harmony, the melody, the lead), its own name (the horns) or its instrument (the trumpet). “No melody” works too.
In Other Languages
Of everything on this page, only the genre names and drum style names are recognized in other languages. The rest is read in English only; see Prompting Guide.
Questions